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The Jatta National archaeological museum
Photo: Forzaruvo94

The Jatta National archaeological museum

The National Archaeological Museum 'Jatta', located in the heart of Ruvo di Puglia, is housed in the halls of the neoclassical Palazzo Jatta. The Museum's founding and expansions during the 1800s are closely linked to prominent Jatta family members: the brothers Giovanni Sr and Giulio Jatta, who founded the institution. The extensive collection includes works by some of the most renowned Apulian and Greek potters. Terracotta pieces with human figures and architectural motifs, Daunian trozzella vases, and black-glazed ware are on display in the first hall. The tour continues in the second hall with the large krater decorated with masks, a work of art by the Baltimora painter. Pitchers with zoomorphic motifs are displayed in the Rhità room, while the final exhibition space is dominated by the collection's most important vase, the Attic red-figure krater decorated by the painter Talos and dating back to the 5th century BC. The palazzo Jatta houses a noble period apartment with an art gallery, original furniture, upholstery, decorations, and the floor. The hall, chapel, parlor, bedroom, library, dining room, dance hall, and gallery of the ancestors are all open to the public.

The Collection


First Room:


In the first room, there is a Latin inscription commemorating the Museum's founders. There are mostly terracotta vases with geometric decorations from the Peucetian period (the seventh and sixth centuries BC). A massive jar, reassembled and once used for the collection of food liquids, sits in the center of the room. A stuffed sarcophagus has been reconstructed beneath the large window, with unpainted finds inside. Next to the sarcophagus are two inscriptions engraved on Roman sepulchral plates from the 2nd century: The first inscription gathers the spouses Marcus Licinius Hermogenes and Licinia Charite's dedication to their son, who died when he was seven years old; the second inscription shows Julia Eutaxia's dedication to her husband.

Second Room:


The second and largest room contains approximately 700 vases of Greek or local production. The vases were made using the red figures or red images on a black background technique. A large crater containing masks from the fourth century BC. depicting Apollo in the act of shooting arrows at the Niobids, the work of the Baltimore Painter, can be seen at the entrance to the room. The vase is flanked by two amphorae from the same period, but by the painter Lycurgus: the first depicts Heracles in the temple with Antigone and Creon, as well as the fight between Amazons and warriors around Heracles; the second, instead, depicts the Nereids delivering weapons to Achilles.


Third Room:


The white marble bust of Giovanni Jatta junior, who founded the Museum, stands out in the third room, which contains over 400 pieces. The first vase is a Proto-Italian crater from the 4th century BC. on which Cicno and Ares' chariot are depicted in an interesting frontal perspective.

Fourth Room:


Despite being the smallest, the fourth room houses the most valuable finds, numbering around 270. There is another marble bust here, but this one depicts Giovanni Jatta senior in toga. A pelike with the myth of the Nereids and two lebetes specimens have been preserved. There are also two volute craters, one of which depicts Bellerophon reading his death sentence and the other of which depicts a chariot race.
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